8. February 2013
I’ve been reading Four
Quartets by T.S. Elliot, which I wholeheartedly recommend to anyone with an
interest or knowledge in Quantum Theory, or temporal philosophy, or just
straight out beautiful, compressed prose.
It was recommended to me by a Physics professor friend of mine. If you haven’t read poetry before, then just
remember to take it slow. Just like a
question on a test, you won’t get the whole answer without going back over the
problem to verify your accuracy. Unlike
a test, the answer you get will change depending on where you are in your life
when you read the poem.
Anyway, here’s the story for today. It’s the shortest one so far. Hopefully it’s also the best.
Immortal Roses
by Heydon Hensley
In the rose
garden, sun streaming between the knit blanket of clouds, T.S. Elliot came to
him. “That which is only living/ can
only die. Words, after speech, reach/ into the silence.” Somehow these words comforted him, as he
cupped a scarlet rose in one hand and snipped the stem, just below the
throat. Like this rose, he was only
living, could only die, but see how beautiful the rose was in death: head full
of crimson, youthful, green arms still frolicking, still reaching for the
sun. Surely this was better than growing
– blooming too much – into a flatness, only to drop beauty petal by petal
until, naked, freezing in the winter and dying, withered, ugly, detested. But see how, chopped from the rest, it stands
out – vibrant always in the mind. No one
would remember it drooping, being thrown out.
The vigor, the vibrance – these would be remembered and in the
remembrance, achieve immortality.
If a rose
could achieve immortality in death, then how much more so himself? Yes, certainly. If that which lives, dies, then that which
dies while life still burns brightly… These wrist – his stem… what a trifle to
pay for immortal youth, vigor.
He reached
down and snipped another rose.
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